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![]() The scent can come across as foamy or wet, if that makes any sense. It has some slight warmth due to the sweetness, and the feeling of wearing it reminds me of getting a shave or a haircut. The sweet shaving cream vibe here makes it more appropriate for Fall or Spring weather. At this stage its very complex and nuanced, and the scent almost shimmers. The middle is like this subtle but slightly sweet shaving cream, but made of a bit higher quality ingredients. The opening at times reminds me of the opening of Brut, but lighter and smoother. Some notes are a bit generic towards the end, but the performance leaves nothing to be desired. On the other hand that gives it an original twist. Additionally, it is a bit too soft for that - this is no Gucci Nobile. The later phases miss the oakmoss-related counterpart to make it a full-fledged fougere. Whilst the earlier stages are reminiscent of some traditional fougeres like the original Brut, especially with the appearance of usual culprits - bergamot, rosemary, lavender and cloves. I get moderate sillage, very good projection, and an excellent eleven hours of longevity on my skin. Touches of brightness owed to a wood-centred and mildly earthy vetiver make a very restrained appearance towards the end. A nonspecific woodsiness - glimpses of guaiac and whiffs of whitewood adding some more depth. The base keeps the lavender and the clove - they linger until the end, and adds a soft patchouli, which is not really dark on me, is slightly spicy again, but fairly smooth it integrates will with the other notes. A floral side opens up, a geranium focusing on its leaves, with a spicy undertone composed of clovers, and transient whiffs of a light nutmeg also. In the drydown a moderately powdery lavender develops, which forms one of the main elements of this creation. A bright, friendly and quite uplifting opening. The opening is a fresh bergamot based blast, with rosemary supply a greener herbal element, and the star anise adding sweeter smoothness. ![]() The production job is so shiny, in fact, you can see your reflection in it. Each drum hit (the new part fits the song much better) sounds like a gunshot, Smith’s guitar sounds Robert Fripp-esque, and the keyboards are gigantic. Tim Smith’s guitar solo carries a lot more emotion, however.īA-BOOM-BOOM-BOOM! The third version of Is This the Life? wants to make it very clear that it was released in the ’80s. Other than this, the song is essentially the same, with very few changes made to any of the parts- even with a change of drummer the part is kept almost the same. With the lead melody transferred to the guitar, and better production, Is This the Life? sounds spacious and epic, unlike the previous version which felt constrained (though still powerful). The lead melody is carried by the keyboards, with the guitar outburst being constrained to its solo. Unfortunately, the master tape that this version of Nurses… was on was damaged (according to the Alphabet Business Concern) and so the track was not re-released on the CD edition of The Seaside (three other tracks also met this fate) Is This the Life?Ī thunderous anthem even in its original form, Is This the Life? is one of the best tracks (as it will always be, whatever album its placed on) on Toy World. It still remains one of the most memorable tracks on its album, even when up against stiffer competition than that of Toy World’s songs. The excellent lyrics are clear, and the brilliance of the composition can shine through with the murk removed. Based around a flanged guitar riff, with a sliding bass part underpinning it, Nurses… is very memorable and a very good example of how much Tim Smith had developed as a songwriter since the début single.Ī huge improvement from the original recording, not just sonically, but musically, Nurses… is played slightly faster and much more tightly on The Seaside. Just like the previous track on Toy World, Is This the Life?, Nurses Whispering Verses manages to impress even in its rather primitive original form. ![]() It was later included on The Special Garage Concerts Vol I.Ī rehearsal video can be found here. Handwritten lyrics in the Seaside Treats book can be found here. Jibber and Twitch was the first song released for the Alphabet Business Concern. The flashes of genius across The Obvious Identity and Toy World had finally become a fire, one which would hardly ever go out. The production sounds excellent, the band’s performance is incredibly tight. In fact, Jibber and Twitch feels like a completely new start for the band. Not only had Tim Smith’s composition abilities improved in those three years- his singing had undergone a huge improvement. Cawthra’s move to keys also makes itself very evident- Domonic Luckman’s drumming style is very different, being much less punky and more precise, his complex yet steady rhythms underpinning the maelstrom around them. The band then launch into a sudden thrash-out, humorously broken up by the sound of a phone ringing. Quy’s chimes begin the song alongside a big guitar chord, and are soon joined by burbling keyboards. The last of these new members makes his presence felt almost immediately on Jibber and Twitch. There was a new line-up, with Mark Cawthra being on keyboards and backing vocals (most of the time), Sarah Smith now on tenor sax and joined by Marguerite Johnston on alto, Dominic Luckman on drums, Graham Simmonds as a second guitarist and Tim Quy on percussion. ![]() Jibber and Twitch (reason for misspelling unknown) displays these in only one song. The Seaside was released three years after the previous album, Toy World, and there had been huge steps forward in those years. Handwritten lyrics in the Seaside Treats book can be found here. Gina Lollobrigida was later included on the Cardiacs Live LP and the Special Garage Concerts Vol I CD. Tim Quy’s marimba is also put to good use in the intro. Drake was playing with before joining the Cardiacs). Towards the end there are also female backing vocals- this is likely to be Wendy Collins and/or Lanze Lorrens (the latter was the singer who William D. Of particular interest is the performance- Jim Smith pulls of his melodic runs fluidly (one of the most prominent Cardiacs basslines) and trumpets and trombones seem to be used (though buried quite deep in the mix). The structure is pretty standard, and the music very ‘straight’, but this just proves that Tim Smith’s songs don’t need to have hundreds of tempo and time changes to be great. A very catchy pop song, with great potential- if Gina Lollobrigida (the band have consistently misspelt her last name as Lollabrigida, but I’m sticking to the correct spelling) had been released as a single, there would have been a chance that it would have been a chart hit. In addition to Team on mission (TOM), Streamwide also offers Team on the run (TOTR) for commercial applications in fleet management, home healthcare, manufacturing, retail, and facilities. Pryme’s wireless PTT accessories elevate user experience and augment mission-critical operations.” To meet these needs, Pryme® partnered with Streamwide to provide more streamlined collaboration and enhanced push-to-talk over cellular (PoC) communications for industries in both the public and private sectors.Įl Mehdi Sodki, Streamwide Director of Sales, North America said, “Our Team on mission platform is an all-in-one solution that enables united, secure PoC communications for verticals like public safety, emergency services, medical, defense, public transit, and construction. Whether in an office or in the field, on a mission or on the run, today’s teams need next-generation applications and advanced audio technologies to communicate effectively. For example, if the panic button has a low battery or goes out of range, a message will be displayed.Brea, CA and Paris, France – June 2022 – Demanding work environments require powerful communication devices, reliable connectivity, and real-time information in order to operate at peak efficiency. Like many wireless devices, panic buttons can be supervised with the system so that the user will be sure that the device is functioning properly. Panic buttons can also be programmed to either have the alarm produce an audible siren or to produce no sound so that the device serves as a silent alarm. Another option is to have the central monitoring station call the user before sending dispatch, in case the button was pressed accidentally. For example, the programming settings may require a panic button to be pressed twice in order to send an alarm signal. There are some different ways that panic buttons can be programmed with a security panel in order to prevent false alarms. This can serve as easily accessible panic button in the event of an unexpected emergency, such as discovering a home break-in while you are still in your car. However, it is common for one of these buttons to be set as a panic button for immediate emergency dispatch. Some of these buttons are typically used for other actions, such as arming or disarming the panel. These devices usually include multiple buttons, and they can be conveniently attached to a set of car keys. Some panic buttons come in the form of a wireless keyfob device. This can be good for a place where a fire is likely to occur, such as a kitchen. It is also possible to use a panic button as a fire alarm to immediately alert the fire department in the event of a fire. ![]() Some panic buttons can be worn in the form of a necklace or bracelet so that the user can carry around the button with them at all times. 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Once a panic button has been pressed, it will send a signal to the security system, which will in turn send a distress signal to a central monitoring station. Panic buttons are specialized emergency devices that are used to request immediate police, fire or medical help. ![]() If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior. Overusing our search engine with a very large number of searches in a very short amount of time. ![]() Using a badly configured (or badly written) browser add-on for blocking content.Running a "scraper" or "downloader" program that either does not identify itself or uses fake headers to elude detection.Using a script or add-on that scans GameFAQs for box and screen images (such as an emulator front-end), while overloading our search engine.There is no official GameFAQs app, and we do not support nor have any contact with the makers of these unofficial apps. Continued use of these apps may cause your IP to be blocked indefinitely. This triggers our anti-spambot measures, which are designed to stop automated systems from flooding the site with traffic. Some unofficial phone apps appear to be using GameFAQs as a back-end, but they do not behave like a real web browser does.Using GameFAQs regularly with these browsers can cause temporary and even permanent IP blocks due to these additional requests. If you are using Maxthon or Brave as a browser, or have installed the Ghostery add-on, you should know that these programs send extra traffic to our servers for every page on the site that you browse.The most common causes of this issue are: Continued abuse of our services will cause your IP address to be blocked indefinitely.Your IP address has been temporarily blocked due to a large number of HTTP requests. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. ![]() Your IP address has been temporarily blocked due to a large number of HTTP requests. 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This may depend who has the fewest devices to readdress! Of course, if you don't use your console's network port (because you use DMX only), you can follow option 1 above. To edit the network settings on a console, exit to the shell, and go to Settings > Network. The IP address for each port is set at the top of this window. If you need to change it from the default, do so - a reboot will be required. Once this is set, scroll down to the Interface Protocols section. Ensure that UDP Strings & OSC is ticked for the port you want to use. If you're connecting to sound using your port 2, you may want to turn off sACN and Artnet for this port, to avoid spamming the sound network with level data.įor this article, we'll assume we're using Port 1 on an Eos Ti, with an IP address of 10.101.92.101. That's everything set in the shell, so hit Accept and head back into Primary. 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